Review by Rosie Holmes
⭐️⭐️⭐️⭐️
Set against the backdrop of 1660s London, Playhouse Creatures by April de Angelis takes us into the world of Charles II, under his reign we saw the reopening of theatres and the first women to step onto them. Having initially premiered in 1993, this lively and insightful play has now found its home in the intimate and immersive setting of the Orange Tree Theatre, one of my favourite venues to visit!
The play follows five women, four of whom are based on real-life actresses from the King's Men theatre company. These women, of different ages and temperaments, navigate the new opportunities and challenges they face as they step onto the stage. The enthusiasm for their newfound roles; hilariously summed up by my favourite line “Once you’ve seen a real tit, you can’t go back to a stuffed sock”, quickly collides with the harsh realities of a world that objectifies them and limits their agency, both the highs and lows of being an actress in the 17th century.
From the outset, Playhouse Creatures is full of wit and exuberance, but it’s not long before the darker side of the story emerges. The women’s struggle against gendered roles, societal expectations, and personal sacrifices are underscored throughout the piece. They are often likened to animals—playthings for the rowdy male-dominated audience, a theme highlighted by the title itself. The play’s ability to deftly transition from comedy to tragedy, often within the same scene, speaks to the complexity of their experience.
The performances are exceptional and each actress brings something unique to her character. Donna Croll shines as Doll Common, the oldest of the group, offering a wise and grounded portrayal of a woman who supports and cares for the younger actresses. Her Doll Common is one of compassion and quiet strength. Anna Chancellor’s comedic timing as Mrs Betterton, wife to the playhouse owner, is impeccable. A standout moment occurs when she simply uses the angle of her head to comedic effect.
Zoe Brough is a magnetic Nell Gwynne, embodying the youthful charm and wit of the real-life actress with effervescent energy and naiveté. Katherine Kingsley’s portrayal of the feisty, outspoken Mrs Marshall is a standout, capturing her character’s bravado while revealing a poignant vulnerability beneath the surface. Nicole Sawyer’s Mrs Farley brings a layer of tragic transformation, moving from comedy to heartbreaking destitution, though one can’t help but wish more time was given to explore her full arc as her story is so rich, fascinating and full of transformation.
The Orange Tree Theatre’s intimate setting enhances the production, allowing the audience to feel a part of the backstage world of these actresses. The absence of a traditional set design means that the focus remains firmly on the actors, drawing us closer to their vulnerabilities. This simplicity works well within the space, offering a raw and unfiltered view into the lives of the characters. However, while the in-the-round seating typically lends itself to a dynamic viewing experience, there are moments of frustration when physical comedy, a huge part of the show, is sometimes missed depending on where you’re sitting.
Ultimately, Playhouse Creatures is a witty, poignant, and thought-provoking piece that not only entertains but also challenges its audience to reflect on the gender dynamics of both the past and present. It’s a riotous comedy that slowly, but powerfully, gives way to a sobering exploration of patriarchal control and the sacrifices women have always had to make for their voices to be heard. The all-female cast is simply wonderful, bringing depth, humour, and heart to each role. Playhouse Creatures is a masterful mix of comedy, history, and heartache, with a cast that is nothing short of brilliant.
Playhouse Creatures is playing at the Orange Tree Theatre until 12th April before touring to Yvonne Arnaud Theatre, Guildford from 22nd – 26th April and Theatre Royal Bath from 28th April – 3rd May.
Tickets from: Playhouse Creatures - Orange Tree Theatre
Photos by Ellie Kurttz